Why I love poetry – of Walt Whitman and Dorianne Laux

Earlier today I found myself espousing what I see as the dichotomy of American poetry – Emily-influenced poets versus Walt-influenced poets. One of the hallmarks of a Walt-influenced poet is an inclusiveness, a roll in the wet grass love of this world, an embrace sweaty men love of the world, a go ahead make a fool of yourself love of this world. I guess this poem puts Dorianne Laux firmly in Walt’s camp.

When people ask me why I love poetry, I need to remember to tell them that it helps me remember

….I could be in love like this
for the rest of my life, with everything in the expanding
universe and whatever else might be beyond it
that we can’t grind a lens big enough to see.

Mugged By Poetry by Dorianne Laux

—for Tony Hoagland who sent me a handmade chapbook made from old postcards called OMIGOD POETRY with a whale breaching off the coast of New Jersey and seven of his favorite poems by various authors typed up, taped on, and tied together with a broken shoelace.

Reading a good one makes me love the one who wrote it,
as well as the animal or element or planet or person
the poet wrote the poem for. I end up like I always do,
flat on my back like a drunk in the grass, loving the world.
Like right now, I’m reading a poem called “Summer”
by John Ashbery whose poems I never much cared for,
and suddenly, in the dead of winter, “There is that sound
like the wind/Forgetting in the branches that means
something/Nobody can translate…” I fall in love
with that line, can actually hear it (not the line
but the wind) and it’s summer again and I forget
I don’t like John Ashbery poems. So I light a cigarette
and read another by Zbigniew Herbert, a poet
I’ve always admired but haven’t read enough of, called
“To Marcus Aurelius” that begins “Good night Marcus
put out the light/and shut the book For overhead/is raised
a gold alarm of stars…” First of all I suddenly love
anyone with the name Zbigniew. Second of all I love
anyone who speaks in all sincerity to the dead
and by doing so brings that personage back to life,
plunging a hand through the past to flip off the light.
The astral physics of it just floors me. Third of all
is that “gold alarm of stars…” By now I’m a goner,
and even though I have to get up tomorrow at 6 am
I forge ahead and read “God’s Justice” by Anne Carson,
another whose poems I’m not overly fond of
but don’t actively disdain. I keep reading one line
over and over, hovering above it like a bird on a wire
spying on the dragonfly with “turquoise dots all down its back
like Lauren Bacall”. Like Lauren Bacall!! Well hell,
I could do this all night. I could be in love like this
for the rest of my life, with everything in the expanding
universe and whatever else might be beyond it
that we can’t grind a lens big enough to see. I light up
another smoke, maybe the one that will kill me,
and go outside to listen to the moon scalding the iced trees.
What, I ask you, will become of me?

Originally from the Cortland Review